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Karel Ančerl : ウィキペディア英語版
Karel Ančerl

Karel Ančerl (11 April 1908 – 3 July 1973) was a Czechoslovak conductor, renowned especially for his performances of contemporary music and for his interpretations of music by Czech composers.
Ančerl was born into a prosperous Jewish family in the village of Tučapy in southern Bohemia. After graduating from the Prague Conservatory, he pursued his conducting studies under Hermann Scherchen and Václav Talich. He was the assistant conductor at the Munich premiere of Alois Hába's quarter-tone opera ''Mother'' (1931) and conducted the orchestra of the avant-garde theatre ''Osvobozené divadlo'' in Prague (1931–1933). Conducting work for Czechoslovak radio was interrupted by World War II which resulted in his being imprisoned with his family in the Theresienstadt concentration camp in 1942 and then sent to Auschwitz in 1944. Unlike his wife and young son, Ančerl came out of Auschwitz alive.
After the war, Ančerl conducted for Radio Prague until 1950, when he became artistic director of the Czech Philharmonic, a post he held successfully for eighteen years. Following the 1968 invasion of Czechoslovakia, Ančerl emigrated to Toronto, Canada, where he worked as music director of the Toronto Symphony Orchestra until his death in 1973.
As a conductor, Ančerl helped foster a distinctly Czech orchestral sound, both with the Czech Philharmonic and elsewhere. Highly regarded also as a studio artist, Ančerl made a wide range of recordings on the Supraphon label, including repertoire by various Czech composers (remastered in the Karel Ančerl Gold Edition).
==Life==
He was born into a prosperous Jewish family in the village of Tučapy in southern Bohemia, where his father Leopold was a large-scale producer of liquors and spirits. After graduating from the gymnasium in Prague (1918–24) he studied composition and conducting at the Prague Conservatory between 1925 and 1929,〔 〕 along with chamber music, violin and percussion. In 1931 he participated as assistant conductor at the Munich premiere of Alois Hába's quarter-tone opera ''Mother''. Ančerl also studied conducting under Hermann Scherchen in Strasbourg and with Václav Talich in Prague.〔 Between 1931 and 1933, he conducted the orchestra of the avant-garde theatre ''Osvobozené divadlo'' in Prague, where he brought about a marked improvement in playing standards.〔Holzknecht, p. 301〕 From 1933 to 1939, he conducted for the Czechoslovak radio, but his career as a conductor was interrupted by World War II.
He was sent with his family to the Theresienstadt concentration camp (Terezín) on 12 November 1942. There, he became the leader of the ''Terezín String Orchestra'' and started to organize cultural and music life in the ghetto. His final performance was for the propaganda film ''Der Führer schenkt den Juden eine Stadt'' (''The Führer Gives the Jews a City''), directed, under coercion of the camp commandant Rahm, by Kurt Gerron to fool the Red Cross. The film showed Ančerl conducting a work by Pavel Haas on a wooden pavilion, with flowerpots hiding the fact that many of the orchestra were barefoot. The film also featured Martin Roman's big band, the Ghetto Swingers. As soon as the film was over, Gerron, Ančerl, Haas, Roman and all those who had participated in the film were herded into cattle trucks for the final transport to Auschwitz on 15 October 1944. Ančerl managed to survive Auschwitz, but his wife Valy and son Jan (born in Terezín) perished in the gas chambers.
After the war, he conducted for Radio Prague until 1950, and rose to fame when appointed (on 20 October 1950) artistic director of the Czech Philharmonic. His eighteen-year tenure with this orchestra is often regarded as its greatest period, which brought it much international recognition. In August 1968, after the Warsaw Pact invasion of Czechoslovakia, he decided to emigrate to Toronto, Canada. He conducted his last two concerts with the Czech Philharmonic Orchestra at the Prague Spring Festival in 1969. He conducted the Toronto Symphony Orchestra from 1968 until his death in Toronto in 1973. His tomb is located in Vyšehrad cemetery in Prague.
Some of his notable pupils include Brian Jackson, Štěpán Koníček, Libor Pešek, Jan Tausinger, and Martin Turnovský.

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